This is the second historical clash of Wilde films. It might be better to allow a decent interval between the two, but Figuero hopes his film will appear "close on the tail of the other one", believing interest in Wilde is sufficient to support both. Parker and co had a red-hot cast and a £6.5 million budget courtesy of Pathe, Miramax, Mel Gibson's Icon company and the Arts Council of England's Lottery funds, whereas the rival had the less hot James Wilby and Sadie Frost, cameo appearances from Tamara Beckwith and Tara Palmer-Tomkinson and a budget of less than £1 million raised by public subscription, prompting reports of a David and Goliath battle, the Hollywood film versus the people's film.Īlthough Parker's film was second into production, it has reached cinemas while rival producer Daniel Figuero continues to discuss a distribution deal. Barnaby Thompson and Susan Landau subsequently joined forces, but Wilde's work was out of copyright and they were in pre-production before discovering the existence of a rival Ideal Husband. Oliver Parker, who had previously directed Othello with Laurence Fishburne and Kenneth Branagh, was approached by two producers simultaneously. The success of the long-running West End revival of An Ideal Husband was reinforced by the appearance of the film Wilde, and suddenly producers were falling over each other to do a film version. With Titus in post-production, and Love's Labour's Lost currently before the cameras, cinema has all but exhausted the works of William Shakespeare and Hollywood is on the lookout for the next great dead writer.Ī film adaptation of An Ideal Husband opens here on April 16, with a cast including Rupert Everett, Minnie Driver and Cate Blanchett. Given her arguably valid criticism of the public competition, industry eyes will definitely be fixed upon her on Oscar night.The timing of Wilde's re-emergence could not be better. Multi-Academy Award winner Emma Thompson recently admitted that it made her “seriously ill,” adding that “I found the pressure and glare of it too much”.īlanchett, though, is one of entertainment’s coolest customers in addition to being a good sport, thoughtful artist and canny businesswoman. Some stars find the entire awards process unbearable. Expect something professional, to the point and coming in meticulously under the time constraints. You can bet she will have prepared notes stashed into the pocket of her gown in the event she wins (I’m predicting she will). I would just like to really thank you very much.”Ĭate’s fellow Oscar-winning Aussie, Catherine Martin, is nominated for three Academy Awards this year for her work on Elvis, and has spoken about her belief to use such speeches for expressing gratitude and acknowledging colleagues. Left-leaning Jane Fonda wisely put her signature politics aside when she won Best Actress for Klute, opting instead to remark, “There’s a great deal to say and I’m not going to say it tonight. Marlon Brando famously declined his Best Actor prize for his career-reviving The Godfather in 1972 in lieu of making a statement about the plight of Native Americans, courtesy of his surrogate, activist Sacheen Littlefeather. This left widely acclaimed Viola Davis out if the running. So out of left field was Riseborough’s nomination that the Academy announced it will be refining and clarifying the rules around campaigning.) Just ask Viola Davis, widely believed to have been snubbed for a nom for her starring role in the acclaimed The Woman King. (Riseborough was the only actor in her category to skip the traditional Nominees Luncheon, further fuelling speculation that there may be more snark than smiles this year. Meantime, fellow Oscar nominee Andrea Riseborough ( To Leslie), seems to be in contention for her work in a small low-budget film only after a concentrated social media campaign launched by some A-list celebs, proving that Hollywood is just as political as Canberra. “It’s not the subject matter of the film, nor are the characters’ genders.” The much-loved star has already copped criticism that the film is “anti-woman” but defends, “What I love about the story that Todd wrote and the way he directed it and the way we approached it is their same-sex relationship just was. Tar is a lesbian character portrayed by a straight, Cis woman. If she does score a win, will she graciously thank her team in time before the orchestra plays her off, or will she use the moment as a platform for some serious statement on the Motion Picture Industry? She is secure in her position as one of filmdom’s premiere talents. In fairness to Cate, she has seemed to let her performance speak for itself rather than trip over herself for recognition. Cate Blanchett arrives for the 25th Costume Designers Guild Awards at The Fairmont Century Plaza in LA, California, in February.
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